Matthew Brannon
Matthew Brannon
Born 1971 St. Maries, Idaho
Lives & works in New York
Education
1999
MFA Columbia University, New York
1995
BA, University of California, Los Angeles
Solo exhibitions
2011
Gentlemen’s Relish, Casey Kaplan Gallery, New York, USA (forthcoming)
A question answered with a quote, Portikus, Frankfurt, Germany
2010
Wit’s End, David Kordansky, Los Angeles, USA
the inenvitable and the unnecessary, Gió Marconi Gallery, Italy
Reservations, Ursula Blickle Stiftung, Germany
Mouse Trap, Light Switch, Museum M, Leuven, Belgium
2009
Nevertheless, The Approach, London
2008
The Question is a Compliment, Friedrich Petzel Gallery, New York
Grandmothers, Galleria Gio Marconi, Milan
2007
Where Were We, Whitney Museum of American Art at Altria, New York
Try & Be Grateful, agyu, Art Gallery of York University, Toronto
2006
Cum Together, Friedrich Petzel Gallery, New York
Shoegazers & Graverobbers, Art 37 Statements, David Kordansky Gallery, Basel
HYENA, Jan Winkelmann/Berlin, Berlin
2005
Meat Eating Plants, David Kordansky Gallery, Los Angeles
Penetration, Jan Winkelmann/Berlin, Berlin
2004
Exhausted Blood & Imitation Salt, John Connelly Presents, New York
2003
Tatum O’Neals Birthday Party, Kevin Bruk Gallery, Miami
2000
Soft Rock, Künstlerhaus Bethanien, Berlin
Group Exhibitions
2011
Beyond Gestaltung, Bielefelder Kunstverein, Bielefeld, Germany
Predictable Feelings, Office Baroque, Antwerp, Belgium
For Love Not Money, 15th Tallinn Print Triennial, Kumu Art Museum, Tallinn, Estonia
After Hours: Murals on the Bowery, Art Production Fund and the New Museum, New York, USA
Shape of Things to Come: New Sculpture, Saatchi Gallery, London, UK
Mit Deiner Kunst; Texte Zur Kunst Editionen 1990-2010, Sammlung Haubrok Gallery, Berlin, Germany
2010
Contemporary Magic: A Tarot Deck Art Project, National Arts Club, New York, USA
At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, USA [cat]
Cabinet of Curiosities with Pablo Bronstein, Matthew Brannon, Anthea Hamilton and Wayne Kostenbaum, Nottingham Contemporary, UK
Behind the Curtain, Gió Marconi Gallery, Milan, Italy
The Space Between Reference and Regret, Friedrich Petzel Gallery, New York, USA
An Unpardonable Sin, curated by Philippe Pirotte, castillo/corrales, Paris, France
Interim in Three Rounds, Friedrich Petzel Gallery, New York, USA
We Pictured You Reading This, Redux Contemporary Art Center, Charleston, USA
In Three Rounds, Round 3, Friedrich Petzel Gallery, New York, USA
Matthew Brannon / Mathew Cerletty / David Diao / Daniel Sinsel , Office Baroque Gallery, Antwerp, Belgium
OWL STRETCHING TIME, Galerie Nordenhake, Berlin, Germany
Permanent Transients, Country Club, Cincinnati, USA
2009
Learn to Read Art: A History of Printed Matter, curated by AA Bronson, PS.1, New York, USA;
Badischer Kunstverein, Karlsruhe, Germany.
Beg, Borrow and Steal, Rubell Family Collection, Miami, USA
Stuart Sherman: Nothing Up My Sleeve, curated by Jonathan Berger, Participant Inc., New York, USA
Learn to Read Art: A History of Printer Matter, curated by AA Bronson, Badischer Kunstverein, Karlsruhe, Germany
Embrace, Denver Art Museum, Denver, USA
Five, Baibakova Art Projects, Moscow, Russia
No Shoes on the Carpet, Cirrus, Los Angeles, USA
Poor. Old. Tired. Horse., ICA, London, UK
Born in the morning, dead by night, curated by Toni Matelli, Leo Koenig, New York, USA
Code Share, Contemporary Art Centre, Vilnius, Lithuania
Matthew Brannon, Marcel Broodthaers, James Lee Byars, William E. Jones, David Kordansky Gallery, Los Angeles, USA
2008
Kunst im Hei, Captain Petzel, Berlin, Germany
Whitney Biennial, Whitney Museum of American Art, New York, USA [cat]
50 Moons of Saturn, T2Torino Trienniale, curated by Daniel Birnbaum, Turin, Italy [cat]
Fair Market, curated by Haley Mellin, Rental Gallery, New York, USA
DISPATCH Portfolio Project #2, DISPATCH, New York, USA
One Morning I Woke Up Very Early, Office Baroque Gallery, Antwerp, Belgium
Featuring, Galerie Chez Valentin, Paris, France
Tapestry, Karyn Lovegrove Gallery at Hudson Salon, Los Angeles, USA
Group show in Dusseldorf, Germany
Acquisitions, Gifts, and Works from Various Exhibitions 1985-2008, curated by Bob Nickas, White Columns, New York, USA
2007
Multiplex: Directions in Art, 1970 to Now, curated by Deborah Wye, Museum of Modern Art, New York, USA
Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit, USA
On the Marriage Broker Joke, curated by Wim Peeters, Office Baroque Gallery, Antwerp, Belgium
(the) Melvins @ (the) Mandrake, The Mandrake, Los Angeles, USA
Uncertain States of America: American Art in the 3rd Millenium, curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan, France: traveled to Herning Art Museum, Copenhagen, Denmark; The Centre for Contemporary Art, Zanek Ujazdowski, Warsaw, Poland [cat]
2006
Bring the War Home, QED Gallery, Los Angeles
Uncertain States of America: American Art in the 3rd Millenium, The Center for Curatorial Studies, Bard College, Annandale-on-Hudson; Reykjavik Art Museum, Reykjavik; Serpentine Gallery, London
666, curated by Jan Tumlir, usc Roski School of Fine Arts
Social Design, Badischer Kunstverein, Karlsruhe
Exquisite Corpse, Mitchell Algus Gallery, curated by Bob Nickas, New York
Matthew Brannon, Wade Guyton, Patrick Hill, United Artists. Ltd., Marfa
Slow Burn, curated by Jonah Freeman, Galerie Edward Mitterrand, Geneva
2005
Uncertain States of America: American Art in the 3rd Millenium, Astrup Fearnley Museum of Modern Art, Oslo
Suspended Narration, Lora Reynolds Gallery Austin
Passion Beyond Reason, Wallstreet 1, Berlin, a Miller/Rockenschaub Project
Temporary Import, Art Forum Berlin, Special Exhibitions, Berlin
Threshold, Max Wigram, London
New Tapestries, Sara Meltzer, New York
We Could Have Invited Everyone, curated by Peter Coffin, Andrew Kreps Gallery, New York
The Most Splendid Apocalypse, curated by Jason Murison, ppow, New York
Post No Bills, curated by Matthew Higgs, White Columns, New York
There Is a City in My Mind, Southfirst, New York
Wordplay, Julie Saul Gallery, New York
Good Titles from Bad Books, Kevin Bruk Gallery, Miami
Lesser New York, A Fia Bäckström Production, New York
Greater New York, PS1/MoMA, New York
We love Amerika, Jan Winkelmann/Berlin, Berlin
On the Beach, curated by Justin Lowe, Printed Matter, New York
2004
Halloween Horror Films, Southfirst, New York
If Direction Is a Look, with Sarah Morris, Galería Javier López, Madrid
Besides, popularity is a rather lumpy concept, no?, curated by Raif Brog & Petra Rinck, Kunsthalle Düsseldorf
Summer Summary, curated by Roger White, temporary space, New York
Noctambule, D’Amelio Terras at The Fondation Dosne: Bibliotheque Thiers, Paris
Curious Crystals of Unusual Purity, curated by Bob Nickas & Steve Lafrenier, PS1/MoMA, New York
Tapestry from an Asteroid, Golinko Kordansky Gallery, Los Angeles
Hohe Berge, Tiefes Tal, Autocenter, Berlin, curated by Markus Draper
Collection: How I Spent a Year, curated by Bob Nickas, PS1/MoMA, New York
Lumpen Decadents, curated by Gean Moreno, Ingalls & Associates, Miami
Cave Canem, John Connelly Presents, New York
If Direction Is a Look, with Sarah Morris, Galería Javier López, Madrid
2003
Kult 48 Klubhouse, curated by Scott Hug, Deitch Projects, New York
Snowblind, with Wade Guyton & Mungo Thomson, John Connelly Presents, New York
My people were fair & had cum in their hair (but now they’re content to spray the stars from your boughs), curated by Bob Nickas, Team Gallery, New York
Inaugural Exhibition, Golinko Kordansky Gallery, Los Angeles
I’m Afraid of Everything, Blonde Revolution, New York
Escape from New York, curated by Jason Murison, Summit Art Center, Summit, New Jersey
Corporate Profits vs. Labor Costs, D’Amelio Terras, New York
Parking Lot, Ten in One Gallery, New York
The Melvins, curated by Bob Nickas, Anton Kern Gallery, New York
Late to Work Everyday, curated by Noah Sheldon, DuPreau Gallery, Chicago
Talking Pieces, Text & Image in Contemporary Art, curated by Ute Riese, Museum Morsbroich, Leverkusen, Germany
2002
Triple Theatre, with Heidie Giannotti, Triple Candie, New York
Dark Spring, curated by Nicolaus & Liam Gillick, Ursula Blickle Stiftung, Kraichtal
Open City 16, Open City Magazine, New York
2001
Dedalic Convention, curated by Liam Gillick & Annette Kosak, MAK, Vienna
Out of Place, UKS Biennial,
Norway
Wall Labels & New School University, New York
2000
Luggage, curated by Matthew Brannon, Galerie Max Hetzler, Berlin
@, curated by Jason Murison, PPOW Gallery, New York
Soft Rock, Künstlerhaus Bethanien, Berlin
23rd New Museum Benefit Gala, curated by Stefano Basilico, New Museum of Contemporary Art, New York
1999
Made Especially for You, curated by Jenelle Porter, Artists Space, New York
The Wight Biennial, curated by Mungo Thomson, The New Wight Gallery, Los Angeles
MFA Thesis Exhibition, curated by Thelma Golden, Columbia University, New York
1998
1 + 3 = 4 x 1, collaboration with Liam Gillick, curated by Susanne Gaensheimer, Galerie fur Zeitgenossische Kunst Liepzig
Oh My God I live on the thirteenth floor in Holland, which doesn’t exist in the
United States, or no?, collaboration with George Rush, curated by Jay Batlle, H. Cleyndertweg 13 space, Amsterdam
1996
Paint as Purpose, curated by Roger Ray & Jesse H. Rivard, Purple Gallery, Los Angeles
New Memory, curated by Slater Bradley, Spanish Kitchen Studios, Los Angeles
1995
The 1995 Banale, curated by Michelle Alpern, RE:Solution Gallery, Los Angeles
Bibliography
2011
Go See – London: ‘Shape of Things to Come’ at Saatchi Gallery through October 16th, 2011, ArtObserved.com, August 31
Galarza, Daniela, Wake ink. Up When September Comes; ink.sack Confirmed, Eater LA, August 9
Schembri Bonaci, Giuseppe, Saatchi and Malta, or Tracey Emin and the Maltese Church, The Malta Independent Online, June 19
Ruiz, Christina, The tastemakers are here, The Art Newspaper, International Edition, June 16, p. 1
Kunitz, Daniel, Texting: The Artist as Writer as Artist, Modern Painters, Summer 2011, pp. 48-53
The Shape of Things to Come: Exhibition of New Sculpture at the Saatchi Gallery, artdaily.org,June 1
New Sculpture At Saatchi Gallery, Iran Daily, May 30, p. 12
Shape of Things to Come: New Sculpture, London: Saatchi Gallery
15th Tallinn Print Triennial, For Love Not Money. Tallinn: Kumu Art Museum
Indrisek, Scott, Business at Art Brussels Is a ‘Slow Burn', as Thoughtful Connoisseurs Turn Out for Edgy Art, Artinfo.com, April 29,
The Artist Projects at Art Brussels 2011, MousseMagazine.it/blog, April 26
Coulson, Amanda, Matthew Brannon: Portikus 'Frankfurt am Main', Frieze, April, p. 141
Beeson, John, Review: Matthew Brannon, Frankfurt, Spike, Issue 27, Spring, pp. 129-130
2010
Shape of Things to Come: New Sculpture, Saatchi Gallery, London, UK
Auf einen Schlag alles rückgängig machen, Badische Neueste Nachrichten, July
Abstract America: New Paintings From the US, Saatchi Gallery, London, UK
Coburn, Tyler, Matthew Brannon’s ‘Wit’s End’ at David Kordansky Gallery, Los Angeles, artagenda.com, December 16
Lehrer-Graiwer, Sarah, When Wit Ends, Artslant.com, November 29
Yablonsky, Linda, Art and Action, New York Times, TMagazine.com, October 8
Scheller, Jörg, Rottende Elganz, Texte Zur Kunste, September, p. 210
Nothing Up My Sleeve, New York: Regency Arts Press Ltd, pp. 46-47
At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Annandaleon-Hudson: Center for Curatrial Studies, Bard College
Stern, Steven, Stuart Sherman, Frieze, March, p 139
2009
Bowman, Allison, V1: Embrace!, Denver: Denver Art Museum, pp. 60-65
Heinrich, Cristoph and Jeff Wells, V2: Embrace!, Denver Art Museum pp. 116-123
Abstract America, The Saatchi Gallery, London, Rizzoli Publishers
Pulimood, Steve, Prints and Predators, Sleek Magazine, Winter, pp. 188 – 195
Sumpter, Helen, Matthew Brannon, Time Out, October
Searle, Adrian, Matthew Brannon: Private View with Adrian Searle, Gaurdian, www.gaurdian.co.uk (podcast)
Dorment, Richard, A Drama of Our Own Making, The Daily Telegraph, 15th September
Rees, Simon, Best of Group Shows 2008: Not So Subtle Subtitle, Frieze, January, p 102
Sherman, Lauren. Print Isn’t Dead: The ancient craft of letterpress is making a comback, Forbes, June 8, p. 68
Caleroni, Irene, T2 Torino Triennale, 50 Moons of Saturn, Castello de Rivoli Museum of Contemporary Art, Fondazione Sandretto Re, Rebaudengo, Foundazione Torino Musei,
Torino, pp. 210-215
Conti, Samantha. Baibakova Makes Her Mark in the Art World, WWD
Birnbaum, Daniel, T2 Torino Triennale, 50 Moons of Saturn, Castello de Rivoli Museum of Contemporary Art, Fondazione Sandretto Re, Rebaudengo, Fondazione Torino Musei, Torino,
2008-2009, p.210 - 215
Foumberg, Jason. Current Shows: Matthew Brannon, Marcel Broodthaers, James Lee Byars, William E. Jones, Frieze, June
Monk, Philip, Matthew Brannon, Flash Art, March/April, p.65
Delbecq, Marcelline, Worst Case Scenario, Matthew Brannon, Roven, nº2 / automne-hiver 2009-2010, pp. 100-105.
Cotter, Holland, A Tabletop Conjurer, Rediscovered, New York Times, 30th November
2008
Higgie, Jennifer, The Embarassing Truth, Frieze, Issue 119, Nov-Dec 2008
Nicolin, Poala, Matthew e le storie a colori, Letizia e le vite immaginarie, GQ Italia, October, p. 409
Jones, Kristin M. Not So Subtle Subtitle, The New Yorker, July, p.12
Turvey, Lisa, Matthew Brannon at Friedrich Petzel Gallery, Artforum, September
Johnson, Ken Some Shows for Escape, Some for Introspection, The New York Times, 4th July, p. E30
Schwendener, Martha Not So Subtle Subtitle, The New Yorker, 21st July p. 12
Barliant, Claire New York Summer Group Shows: Artist as Curator, Artinfo, July, online
Castets, Simon Subtle Selection, VMagazine, 20th June, online
Droitcour, Brian, Critics’ Pick, New York, Artforum.com, 20th June
Rosenberg, Karen, Matthew Brannon, The Question is a Compliment, The New York Times, 13th June, p. 26
Matthew Brannon, ‘The Question is a Compliment', The New Yorker, 30th June, p. 13
Falconer, Morgan, Morgan Falconer on Matthew Brannon at Friedrich Petzel, New York’ Saatchi Gallery Online, June
Arlien-Soborg, Mads, Artists Must-haves, Dansk edition 17, p. 46-7
Current Viewing: Matthew Brannon, The Imagist, June 24, ill.
Monk, Phillip, More Than You Know, 'To Say The Very Least' catalogue, Art Gallery of York University, p. 143-153
Turvey, Lisa Matthew Brannon Whitney Biennial 2008 exhibition catalogue, Whitney Museum of American Art, p. 108-9
Stern, Steven Whitney Biennial Frieze, May, p. 164-5
Searle, Adrian Nice Building-Shame About The Art The Guardian, March
Egan, Maura, Now Viewing: Matthew Brannon, The New York Times T Magazine, May
Cotter, Holland, Art’s Economic Indicator, New York Times, 7th March, online
Vogel, Carol, A Biennial Bustin’ Out of the Whitney, New York Times, 29 February, p. 31-2
Brannon, Matthew, Questionnaire, Frieze, March, p. 200
2007
Chen, Howie, Chapter 11, 'Where Were We' exhibition catalogue, The Whitney Museum of American Art, pp. 3-18, ill.
Bryant, Eric. Paint It Bleak, Art News, December, pp. 128-131, ill.
Wolff, Rachel. Young Masters, New York Magazine, October 15, p. 48, ill.
Brannon, Matthew, Out-of-body Experience, The New York Times Style Magazine, pp. 276-279, ill.
Brannon, Matthew, Eel at Ease, V Magazine, Fall Preview, p. 69, ill.
Brown, Nicholas, The Language of Success: Anxiety and excess in Matthew
Brannon’s Try and be grateful, Color Magazine, vol. 5, no. 2, pp. 98-107 ill.
Kunitz, Daniel, A Wicked Ventriloquist, The New York Sun, June 14, p. 20 ill.
Schwendener, Martha, Whitney Museum at Altria: Matthew Brannon, Where Were We, The New York Times, May 18, p. 25
Matthew Brannon; Where Were We, The New Yorker, May 14, p. 24
Ratner, Megan, Tongue in Chic: The guilty pleasure of looking at Matthew Brannon’s slyly subversive posters, Art on Paper, May - June, vol. 11, no. 5, pp. 50 – 55, cover ill. and ill.
Listings Editor, Matthew Brannon, Where Were We, Time Out New York, April 26 – May 2, p. 110, ill.
Listings Editor, Matthew Brannon, Monopol, April, p. 124, ill.
Scott, Andrea K., Matthew Brannon, Where Were We, Time Out New York, April 12 – 18, p. 86, ill.
Schwendener, Martha, Material Muse for Some Strange Bedfellows, The New York Times, April 6, p. E34, ill.
Whitney at Altria to Present Matthew Brannon: Where Were We, ArtXWorld.com, March
Milroy, Sarah, A Riot of Dark Fragments, Toronto Globe and Mail, March 1, ill.
Feldman, Jenny, Beautiful Dreamers, Elle, March, p. 198, ill.
2006
Searle, Adrian, Rebels without a cause, guardian.co.uk, 12th September
Ellis, Patricia, Matthew Brannon, 'USA Today: New American Art from The Saatchi Gallery' exhibition catalogue, Royal Academy of Arts, pp. 60 - 69, ill
Lawrence, Vanessa, Graphic Art, Women’s Wear Daily, October 5, p. 4, ill.
Muhle, Maria, Mood Swings, Texte Zur Kunst, September, pp. 194-96, ill.
Funcke, Bettina A.W., ed. Allen Ruppersberg, Seth Price, Matthew Brannon, Donald Judd, and Johanna Burton, Continuous Project #8, Chatou, France: CNEAI, Paris, pp. 56 – 57, ill.
Cotter, Holland, At a Group Show in Chelsea, the Art is Sharp but the Categories Blurry, The New York Times, August 16
Ward, Ossian, Matthew Brannon: impenetrable collectible, The Art Newspaper, Art Basel Daily Edition, June 14, p. 8
Cromwell, Wendy, Buying into a Trend, Art on Paper, May/June, p. 22
Pavone, Rosa, Never Innocent, Casual, or Involuntary: An Interview with Matthew Brannon, Uovo, April, pp. 138- 155, ill.
Blom, Ina, The Young Americans, Texte Zur Kunst, March, pp. 169-173
Tumlir, Jan, Openings: Jan Tumlir on Matthew Brannon, Artforum, February, pp. 196 – 197
North Drive Press, interview and multiple, Issue 3, New York
2005
Uncertain States of America: American Art in the 3rd Millenium (exh. cat.), Astrup Fearnley Museum of Modern Art, Oslo, pp. 30 – 33, ill.
Mixburgh, General Store at SPACE, cassette, Pittsburgh, curated by Tyson Reeder.
2004
White, Roger, In Conversation: Matthew Brannon with Roger White, The Brooklyn Rail, April
2003
Poster Project in 3 Locations, SITE Ausstellungsraum, Düsseldorf, Art Frankfurt, Frankfurt & Reg Vardy Gallery, London, curated by Ralf Brog & Petra Rinck
K48, Religion & Cult Issue, K48 Magazine, New York.
Charley Magazine, Ed. Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni, Ali Subotnick.
Artist’s writings
2009
Matthew Brannon, Dazed and Confused, vol. 72, iss. 78. p. 208.
Liam Gillick: Interview by Matthew Brannon, Interview, June/July, p 74-77.
Thoughts in Simon Dybbroe Moeller’s about fashion and history, about waiting, Kunstverein
Hannover, catalogue essay, p 70-76.
Like it or Not: Matthew Brannon on Lynn Spigels’s TV by Design, Artforum, February, p 57-58.
I Like Your Work: Art and Etiquette, Paper Monument, p. 53.
Where Were We: Art Basel 2009, V Magazine, May
2008
Without Baggage, With Pistoletto: Thoughts on Eileen Quinlan’s photographs, Mousse Magazine, p 31-33.
Questionnaire, Frieze, March 2008, p. 200.
Family Guide by Matthew Brannon, Whitney Biennial 2008, 10 page brochure
2007
Who is Guy de Cointet? Artforum, Summer, p. 414
Visits and Lectures
2011
Städelschule, Frankfurt am Main, Germany
Columbia University, New York, USA
2010
Whitney Museum, New School, New York, USA
University of Southern California, Los Angeles, USA
Conversation with Haley Mellom, MoMA, New York
2009
University of California, Irvine, USA
University of California, Riverside, USA
Yale School of Arts, New Haven, USA
New York University, New York, USA
School of Visual Arts, New York, USA
'Nostalgia: What’s the Role of the past in Fashioning the Future?', Frieze Talks, October 17
Public Commissions
2009
Nottingham Contemporary, Nottingham
June Noble Larkin, Juliard, New York, USA
Editions, inserts, projects, self-published
2011
Masturbating A Lot, Portikus, benefit silkscreen ed. 50
2010
If I Said It, I Don’t Remember, Kaleidoscope, Issue 6, p. 98-103, page insert
Oral Examination, Museum M, Leuven, benefit silkscreen ed. 125
Irrational Exuberance (Dancing on the lip of the Volcano), with Tim Blanks, Casey Kaplan, book design
Under the Mattress, Paper Monument, Issue 3, 4 page insert
And you remember thinking…, ADAM Whitney Museum of American Art, New York, benefit tshirt design
2009
Now You Know, ICA, London, September, benefit silkscreen ed. 100
Co-Workers, ICA , London, greeting cards
Between the Lines, Volume II, RxArt, children’s benefit coloring book pages
Misused Pronouns, ICA, London, UK, September, silkscreen ed. 150
Emotional Consequences, Fondazione Sandretto Re, benefit silkscreen ed. 200
You Tell Me, Verdure, Numéro 2, Nice, insert
2008
Frieze, October issue 118, p. 216, insert
50 Moons of Saturn: T2 Torino Triennale, catalogue graphic design with Alex Lesy
Hyena, [soundtrack edition], DISPATCH, July 13, performance
Not So Subtle Subtitle, ed. Matthew Brannon, Casey Kaplan Gallery, book
Where Were We, DISPATCH, June, silkscreen ed. 17
An Overflowing Cup, poem, 2008 Whitney Biennial Catalog, p. 273, insert
2007
Eel at Ease, V Magazine, Fall Preview, p. 69, insert
Hyena, numbered edition of 100, book
Cirrus Editions, Jean Milant publisher, 5 prints each silkscreen ed. 50
Use Value, Heather Rowe: Shards, D’amelio Terras, p. 54-55, ill., insert
Artist Projects: CMYK, curated by Walead Beshty, Cabinet, Issue 27, Fall 2007, pp. 36-37 ill., insert
Out-of-Body Experience, The New York Times Style Magazine, August 26, 2007, pp. 276-279, ill., insert
Poem for Guy de Cointet, Artforum, p. 414, insert
2006
Performance Anxiety, Printed Matter, silkscreen ed. 200
Teachers Fuck Student, Texte zur Kunst, junge edition nr. 63, silkscreen ed. 60
North Drive Press, multiple, Issue 3, New York, NY.
LAB Magazine, Issue 1, ed. Adam Pendleton, Galerie Yvon Lambert, Paris, insert
K48 Magazine, K48 6, New York, NY. p. 82-8, insert
2005
Parkett, Issue 73, New York/Zurich, insert
SITE, Issue 8, Düsseldorf, insert
2003
Poster Project in 3 Locations, curated by Ralf Brog & Petra Rinck, SITE
Ausstellungsraum, Düsseldorf, Art Frankfurt, Frankfurt & Reg Vardy Gallery, London
K48 Magazine, K48 4, New York, NY. p. 72-73, insert
Charley Magazine, Ed. Cattelan, Funcke, Gioni and Subotnick p. 94, insert
2002
SITE Magazin, Issue 6, Düsseldorf, Germany p. 80-83, insert
Open City, ed. Mungo Thomson, Issue 16, New York, p. 119, insert
2001
The UKS Biennial, book jacket, collaboration with Heidie Giannotti, Norway
As Curator
2009
Visionaire Magazine, Issue 57, calendar curation
2008
Not So Subtle Subtitle, Casey Kaplan Gallery, New York
2005
Good Titles from Bad Books, Kevin Bruk Gallery, Miami
2000
Luggage, Max Hetzler Gallery, Berlin
1999
Fuck Yourself, Miller Theater Lobby, Columbia University, New York
1998
exhibition|EXHIBITION 1998, Miller Theater Lobby, Columbia University, New York
This Description, Miller Theater Lobby, Columbia University, New York
1997
Thug Life, or How I Learned to Draw, Watson Gallery, Columbia University, New York Summer 2007, p. 414.