Evan Holloway
Evan Holloway
Born 1967 La Miranda, California
Lives and works in Los Angeles
Education
1997
MFA University of California, Los Angeles
1989
BA University of California, Santa Cruz
Solo Exhibitions
2009
The Approach, London, UK
2008
Galleria Raucci Santamaria, Naples, Italy
Pomona College Museum of Art, Claremont, USA
2006
$ocial Epi$temology, Harris Lieberman Gallery, New York
2005
Analogue counter revolution, The Approach, London
MARC FOXX, Los Angeles, CA
A Voyage to Laputa, Xavier Hufkens, Brussels, Belgium
2004
I Don't Exist, MARC FOXX, Los Angeles, CA
Art Now, with Dave Muller, San Francisco Museum of Modern Art, San Francisco, CA
2003
Evan Holloway, Gary Webb, The Approach, London
A White Hunter, MARC FOXX, Los Angeles, CA
2002
Xavier Hufkens, Brussels, Belgium
Raucci/Santamaria Gallery, Naples, Italy
2001
New Work, The Approach, London
MARC FOXX, Los Angeles, CA
1999
MARC FOXX, Los Angeles, CA
1997
Black Caninet, MARC FOXX, Santa Monica, CA
Room 702, Los Angeles, CA
1994
Arts Commission Gallery, Tacoma, WA
Group Exhibitions
2010
HEAD, The Approach, London, UK
The Secret Knows, LAND at The Virgin Mobile Freehouse, Austin, USA
2009
Play, Prakke Contemporary and Paradise Row, London, UK
Moby Dick, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
Art of the Sea, Beaufort03, Ostend, Belgium
2008
The Impossible Prison, curated by Alex Farquharson, at the Police Station at the
Galleries of Justice, Nottingham,UK
2008 California Biennial, Orange County Museum of Art, Newport Beach, USA
2007
Ensemble, curated by Christian Marclay, Institute of Contemporary Art, Philadelphia
Designomite, Black Dragon Society, Los Angeles
Time Difference, Initial Access, Manchester
2006
The Uncertainty of Objects & Ideas, Hirschhorn Museum & Sculpture Garden, Simithsonian Institution, Washington
Gone Formalism, Institute of Contemporary Art, Philadelphia
2005
We Disagree, The Wrong Gallery at Andrew Kreps Gallery, New York
2004
Painting on Sculpture, Tanya Bonakdar Gallery, New York, NY
for nobody knows himself if he is only himself and not another at the same time, MARC FOXX, Los Angeles, CA
Baja to Vancouver: The West Coast in Contemporary Art, Seattle Art Museum, Seattle; MCA San Diego; Vancouver Art Gallery; Vancouver, British Columbia; CCAC Wattis Institute, San Francisco, CA
Warped Space, CCAC Wattis Institute, San Francisco, CA
Oases, Los Angeles, CA
2003
Evan Holloway, Matthew Ronay, Hiroshi Sugito, MARC FOXX, Los Angeles, CA
The Moderns, Castello di Rivoli, Torino, Italy
Guided by Heroes, Z33, Hasselt, Belgium
Youngstars, Krinzinger Projekte, Vienna, Austria
2002
Whitney Biennial, Whitney Museum of American Art, New York
A Show That Will Show That a Show Is Not Only a Show, The Project, Los Angeles
My Head Is On Fire But My Heart Is Full Of Love, Charlottenborg Exhibition Hall, Copenhagen
California Biennial, Orange County Museum of Art, Newport Beach
Rock My World, CCAC, San Francisco
Now is the Time, Dorsky Gallery Curatorial Programs, New York
Officina America, Galleria D'Arte Moderna di Bologna, Bologna, Italy
2000
The Americans, The Barbican, London
The Fact Show conceptual art today, Pittsburgh Center for the Arts, Pittsburgh, PA
FreeStanding, Beaver College Art Gallery, Glenside, PA
ROCK, Vilma Gold, London
MISE EN SCENE, New LA Sculpture, CCAC, San Francisco
1999
Standing Still & Walking In Los Angeles, Gagosian Gallery, Los Angeles
Caught, 303 Gallery, New York
Play Mode, University of California, Irvine, CA; University of Michigan Ann Arbor
1998
Obviously 5 Believers, curated by Brian Olson, Action: Space, Los Angeles
Plaats, W139, Amsterdam, Holland
Brighten the Corners, curated by Dennis Cooper, Marianne Boesky, New York
Low, Marc Foxx, Los Angeles
Local Heroes, Beyond Baroque, Venice
1997
Malibu Sex Party, PURPLE, Los Angeles
Work and Progress, Los Angeles Contemporary Exhibitions, Los Angeles
5 Emerging Artists, Dan Bernier, Los Angeles
Wish You Were Here, University of California Los Angeles, Los Angeles
1996
Escape to L.A.,El Mirador Apartments, Los Angeles
Video Povera, Cal State Los Angeles, Los Angeles
Lexicanus Linguisticus, 504 Gallery, Tacoma
Group Show, Court C Space, Tacoma
1994
Puget Soundings, Commencement Gallery, Tacoma
Einstein's Birthday, Duff Gallery, Tacoma
1993
About Face, Tacoma Art Museum, Tacoma
Commencement, Commencement Gallery, Tacoma
Performances
2000
Three Musical Lengths, As I Love You, You Become More Pretty, Karin Gulbran's Garden Exhibition
1998
Broadcast Moment, ‘LA X-Ray', KPFK, April 23
Bibliography
2009
Yu, David, 'A Balancing Act', ArtSlant, www.artslant.com, March
Rappolt, Mark, ‘The Conservative Anarchist’ Art Review, March
2008
Knight, Christopher, 'Low-tech, yet high on wow', Los Angeles Times
2007
Bellini, Andrea. ‘New York Tales', Flash Art, Jan-Feb
Kuo, Michelle. ‘Review: The Uncertainty of Objects and
Ideas', Artforum, February
2006
Rappolt, Mark, ‘The Man Who Sold the World', i-D, March, Issue No.264
Kerr, Merrily. ‘Evan Holloway.' Time Out New York, 16-22 November
Smith, Roberta. ‘Evan Holloway: Social Epistemology.' The New York Times, 17 November
Mark Stevens & Karen Rosenberg, ‘Best of 2006: Art', New York Magazine, 18 December
2005
‘100 Future Greats', Art Review, December
2004
Lee Triming and Dennis Cooper, ‘Evan Holloway: Third Spave', Flash Art, November-December pp. 102-4
David Pagel, ‘A groups power to unsettle us', The Los Angeles Times, October 22
Brian Sholis, ‘Review at Marc Foxx, Los Angeles', Artforum.com, November 5
2003
Raf Simons, ‘Another Thing I Wanted to Tell You: Evan Holloway', Another Magazine, Spring/Summer, p.102
Mark Sanders, ‘The American Dollar Bill, Another Magazine, Spring/Summer (curated portfolio)
Giovanni Intra, ‘When Bad Attitude Becomes Form', The Moderns, Castello di Rivoli, Torino (essay republished)
David Pagel, ‘Evan Holloway at Marc Foxx: A video exhibit that mocks video', The Los Angeles Times, January 17
2002
Anne Pontégnie, ‘Evan Holloway at Xavier Hufkens', Artforum.com, Summer
JMB, Deze Week in Brussel, August 22-29
Lawrence Rinder, ‘Evan Holloway', Whitney Biennial 2002, p.107
Alex Farquharson, ‘The New Americans at Barbican', Artforum, March, p. 136
Sally O'Reilly, ‘Evan Holloway at The Approach', Freize, March, p. 88-89
Andrew Gellatly, ‘2002 California Biennial', Frieze, January/February, p.99-100
2001
Bruce Hainley, ‘Top 10', Artforum, December, p. 104
Mark Sladen, ‘Young Americans', November, pp.50-55
Annika Marie, ‘Evan Holloway at Marc Foxx', Art Issues, September/October, p. 47
Doug Harvey, ‘Snapshot: Multiple Exposures', LA Weekly, June 22-28, p. 53
David Pagel. ‘Evan Holloway at Marc Foxx: A Few Tests to See How Much Input the Brain Can Handle', The Los Angeles Times, June 8
Sadie Coles, ‘Mario Testino's Art Index', V, May/June
David Bonetti, ‘Bay City Best; Top Picks For The Coming Week', San Francisco Chronicle Magazine, January 28, p. 4
Kenneth Baker, ‘Just Look at the Sculpture And There Is Los Angeles', San Franciso Chronicle, January 27
Giovanni Intra, ‘Evan Holloway: When Bad Attitude Becomes Form', Art/Text No. 72, February - April, pp. 52-53
Filippo Romeo, ‘Shockwave', Flash Art International, December/January p. 122
2000
Josh Blackwell, ‘MISE EN SCENE; New LA Sculpture', Art IssuesSe[tember/October, p. 56
Bruce Hainley, ‘Towards a Funner Laocoon', Artforum, Summer, pp. 166-173
Christopher Knight, ‘MISE EN SCENE: A Web of Illusion', Los Angeles Times, June 28
1999
Bruce Hainley, ‘Infinity and Beyond', Frieze, issue 47, June - August, p.90
Barry Schwabsky, ‘Suddenly This Summer', Art In America, October, pp.33-37
Jason Meadows and Evan Holloway, ‘OBJECT LESSON', Cakewalk, Fall
1998
Zyzzyva, Spring, Vol. XIV 1, cover
Roberta Smith, ‘Brighten the Corners: Five Artists from Los Angeles', The New York Times, Friday , April 24
Grady T. Turner, ‘Brighten the Corners', New York Arts, May, p. 25
Claudine Isé, ‘Group Show at Marc Foxx: Finding New Uses for Household Items', Los Angeles Times, Saturday, April 11
Bruce Hainley, ‘Malibu Sex Party', Artforum, February, p. 98
Jacqueline Cooper, ‘Review of Black Cabinet', Chicago New ArtExaminer, February
Bruce Hainley, ‘Evan Holloway at Marc Foxx', Artforum, January , p.106
1997
William Wilson, ‘Progress Offers Likable Exercise in Sculpture', Los Angeles Times, August 12, p. 6
Susan Kandel, ‘Group Show at Dan Bernier: Young Ideas', Los Angeles Times, June 13
Dennis Cooper. Too Cool for School, SPIN, July, pp. 86-94
Paul Young, ‘An A for Art', BUZZ, June / July, p. 34
1996
Dennis Cooper, ‘Tots and Toys', Artforum, December, p. 13
1994
‘Einstein's Birthday', Tacoma News Tribune
Douglas McLennan, ‘Music Architecture Elements; Add Interest to Art Walk', Tacoma News Tribune, February 17, p.11
1993
‘About Face', Reflex Magazine
Publications
2004
‘Baja to Vancouver: The West Coast in Contemporary Art', Seattle Art Museum, Seattle, USA
2003
‘The Moderns', Castello di Rivoli, Torino, Italy
‘Guided by Heroes', Z33, Belgium
2002
‘Whitney Biennial 2002', Whitney Museum, New York, USA
‘California Biennial, Orange County Museum of Art, Newport Beach, USA
2001
‘The Americans', The Barbican, London
2000
‘MISE EN SCENE; New LA Sculpture', Santa Monica Museum of Art, Santa Monica, USA
1999
‘Play Mode', University of California, Irvine, USA