Born 1982, Anchorage, Alaska
Lives and works in New York, NY
Education
2011
Milton Avery Graduate School of the Arts, Bard, Annandale-on-Hudson, NY, M.F.A.
2006
The Cooper Union School of Art, NYC, NY, B.F.A.
2004
École Nationale Supérieure des Beaux-Arts de Paris, Paris, France
Solo Exhibitions
2018
Alphabet and Daggers, The Approach, London, UK
Blank Melody, ICA Boston, USA
2016
Loose Ankles, Bortolami, New York, USA
2015
Fragment From Botticelli’s Primavera Allegory, Lisa Cooley Gallery at Maryam Nassir Zadeh, New York, USA
The Corps, Mary Boone Gallery, New York, USA
2013
The Natural World, Melas Papadopoulos, Athens, Greece
Modes, Leslie/Fritz Gallery, New York, USA
2012
Good Value, Fine Quality, MoMA PS1, New York, USA
Group Exhibitions
Forthcoming
Paint, also known as Blood, Museum of Modern Art, Warsaw, Poland
2018
Splendor Solis, The Approach, London
It’s Personal, Edward Ressle Gallery, New York, USA
A Page from My Intimate Journal (Part I), Gordon Robichaux, New York, USA
2017
Galocher, Bortolami, New York, USA
Fool the Eye, Nassau County Museum of Art, Roslyn, USA
Hill People, Darrow Contemporary, Aspen, CO
Fleming Faloon, Office Baroque, Brussels, Belgium
Dreamers Awake, curated by Susanna Greeves, White Cube, London
Mauvaises Herbes: Sarah Crowner, Caitlin Keogh, Paulina Olowska, Simon Lee, Hong Kong Romeo, New York, USA
Sinister Feminism, 12th A.I.R. Biennial, Curated by Piper Marshall with Lola Kramer, Brooklyn, USA
Gut Feelings, Zuckerman Museum of Art at Kennesaw State University, Kennesaw, USA
2016
The Hole, Künstlerhaus Bremen, Germany
A Change of Heart, Hannah Hoffman Gallery, Los Angeles, USA
Surrreal, Koenig Galerie, Berlin, Germany
Flatlands, Whitney Museum of American Art, New York, USA
Artist-in-Residence Biennial, Ewing Gallery, University of Tennessee, Knoxville, USA
2015
Bodily Imaginaries, Koenig & Clinton Gallery, New York, USA
Let’s Get Figurative, Nicelle Beauchene Gallery, New York, USA
The Shadow is Taken, Algus Greenspon, New York, USA
This Just In: New Acquisitions, Pizzuti Collection, Columbus, USA
Como La Flor, Signal Gallery, Brooklyn, USA
Queens Museum Studio Program Exhibition, Queens Museum, Queens, USA
2014
Rendering, curated by Scott Goodman, Good Work Gallery, Brooklyn, USA
Strauss Bourque-LaFrance, Caitlin Keogh, Pam Lins, and Sean Raspet, curated by Dmitry Komis, Rachel Uffner Gallery, New York, USA
2013
At Table and in Bed, Melas Papadopoulos, Athens, Greece
2012
Tumulus, MOT International, Brussels, Belgium
Cirio, Galerie Dorothea Schlueter, Hamburg, Germany
Te Kust en te Keur, Mu.ZEE, Ostende, Belgium
2011
Historia Mysteria, Renwick Gallery, New York, USA
It’s Not You, It’s Me, Soloway, New York, USA
Town Gown Conflict, Kunsthalle Zurich, Zurich, Switzerland
2010
179 Canal Anyway, White Columns, New York, USA
Wight Biennial 2010: Another Romance, Wight Gallery at UCLA, Los Angeles, USA
Graham Anderson/Caitlin Keogh, 179 Canal, New York, USA
2009
Breaking Into the Human Race, Great Hall Gallery at The Cooper Union, New York, USA
Quizotic, 1717 Troutman, New York, USA
2008
Taking Candy From a Baby, Brooklyn Fire Proof, New York, USA
Natural Shams, Tiny Creatures, Los Angeles, USA
Selected Press
2018
Henri Neuendorf, “Rising Star Caitlin Keogh on How Vintage Fashion and Contemporary Poetry Inspire Her Hypnotic Paintings,” Artnet, June
Sukayna Powell, “Caitlin Keogh and Contemporary Female Surrealism,” HASTA, March
2017
Jasmin Hernandez, “Caitlin Keogh: A Passion for Fashion and Anatomy,” Gallery Gurls, May
Olivia Laing, “Girls become trees and chairs smoke after sex as great female surrealists take human anatomy into the abstract”, The Guardian, June
Emily Burns, “Conversations: Caitlin Keogh,” Maake Magazine, May
Abby McKenzie, “Mauvaises Herbes – Three Female Artists at Simon Lee Gallery, Hong Kong,” Widewalls, May
2016
“30 Young Artists to Watch in 2017,” Cultured Magazine, November
Sam Korman, “Caitlin Keogh,” Art in America, November
Annie Godfrey Larmon, “Caitlin Keogh Bortolami,” Artforum, November
Jessica Holmes, “Caitlin Keogh Loose Ankles,” The Brooklyn Rail, November
“Caitlin Keogh at Bortolami, New York,” Cura Magazine, October
Casey Lesser, “16 New York Gallery Shows Where You’ll Find Exciting Young Artists This October,” Artsy, September
Margaret Kross, “Critics’ Pick: Caitlin Keogh,” Artforum, September
Jennifer Krasinski, “Fresh Kink: Caitlin Keogh’s Colorful Ambivalence,” The Village Voice, September
Julia Wolkoff, “The Lookout: Caitlin Keogh,” Art in America, September
Maisie Skidmore, “Dissecting the Female Identity, One Brushstroke at a Time,” AnOther, September
Scott Indrisek, “5 Can’t Miss Gallery Shows in New York,” Blouin Artinfo, September
“Datebook: Caitlin Keogh and the Idea of Self at Bortolami, New York,” Blouin Artinfo, September
Art Section, The New Yorker, September
Fan Zhong, “Go Figure! Paintings of People and Things are All the Rage– Again,” W Magazine, May
“Flatlands,” The New Yorker, January
Ken Johnson, “‘Flatlands,’ Where the Familiar Becomes Hypnotically Strange,” The New York Times, January
Elisabeth Sherman and Laura Phipps, “On Unstable Grounds” Excerpt, Whitney Museum of American Art, January
Fan Zhong, “Preview: ‘Flatlands’ at the Whitney,” W Magazine, January
Amy Lin, “Illusion and Reality Combine in Flatlands: The Upcoming Exhibition at Whitney Museum,” Widewalls, January
2015
“Caitlin Keogh,” Art in America, April
Alex Jovanovich, “Caitlin Keogh,” Artforum, March
Publications
2017
“Headless Woman with Parrot,” published by Triangle Books
Artist in Residence
Artist in Residence, University of Tennessee, Knoxville, TN, Fall 2015
Artist in Residence, Queens Museum, Queens, NY, 2013-2015
Artist’s Publications
Artists Space Annual Edition Portfolio, 2017
Style Manual by Caitlin Keogh, published in conjunction with the exhibition Te Kust En Te Keur, Mu.ZEE, Ostende, Belgium
Collections
Whitney Museum of American Art, New York, NY
The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College, Winter Park, FL
