Born 1972, Royal Oak, MI, USA
Lives and works in Los Angeles, CA, USA
Education
2000
MFA Otis College of Art and Design, Los Angeles, CA
1996
BFA University of Michigan School of Art and Design, Ann Arbor, MI
Solo Exhibitions
2017
Patrick Hill, Bahamas Biennale, Detroit, USA
2016
Drawings & Maquettes, Susanne Hilberry Gallery, Detroit, USA
2014
Mallorca Landings, Palma de Mallorca, Spain
2012
Curls, Kinks, and Waves, Galerie Almine Rech, Paris, France
2011
Galerie Almine Rech, Paris, France
Clumsy Angels, Bortolami, New York, USA
2010
dirty little stones, Susanne Hilberry Gallery, Detroit, USA
Hot and Dumb, JB Jurve, Los Angeles, USA
Hot and Dumb, 2nd Cannons, Los Angeles, USA
2009
David Kordansky, Los Angeles, USA
2008
The Approach, London, UK
2007
Forming, Bortolami Gallery, New York, USA
2006
Golden Syrup, The Reliance, London, UK
2005
Shane Campbell, Chicago, IL
2004
David Kordansky Gallery, Los Angeles, CA
Group Exhibitions
2017
20 Years, The Approach, London
2015
The Cranbrook Hall of Wonders: Artworks, Objects, and Natural Curiosities, Cranbrook Art Museum, Bloomfield Hills, Michigan, USA
2014
Platform, curated by Nicolas Trembley, Almine Rech Gallery, Brussels, Belgium
Screen Play, SWG3 Gallery, Glasgow, Scotland
2013
SLIP, The Approach, London, UK
Objectified: Sculpture Today, Saatchi Gallery, London, UK
Real-Time and Outer Life, Part 2, Young Art, Los Angeles, USA
2012
Across the Pacific: Young Artists from LA, 313 Art Project, Seoul, Korea
2011
| Indeterminate Activity, Nicelle Beauchene Gallery, New York, USA Greater L.A., curated by Benjamin Godsill, Eleanor Cayre and Joel Mesler, New York, USA Powders, a Phial, and a Paper Book, Marlborough Gallery, New York, USA California Dreamin’ – Myths and Legends of Los Angeles, Galerie Almine Rech, Paris, France ESLOV WIDE SHUT, curated by Stefan Lundgren, organized by Eslövs Kommun and Mallorca Landings, Blomsterberg’s Warehouse, Eslöv, Sweden The Shortest Distance Between 2 Points is often intolerable, Brand New Gallery, Milan, Italy |
2010
Re-Dressing, Bortolami Gallery, New York, USA
The Secret (Still) Knows, LAND, Los Angeles, USA
Held Up by Columns, Renwick Gallery, New York, USA
The Mass Ornament, curated by John Rassmussen, Gladstone Gallery, New York, USA
The Secret Knows, 508 House, Austin, USA
Mostly Sculpture Show, Sea and Space Explorations, Los Angeles, USA
Light Breaks Where No Sun Shines, Bortolami Gallery at the Webster, Miami, USA
Leopards in the Temple, Sculpture Center, Long Island City, USA
The Story of O: Graduate Fine Arts 1989-2009, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, USA
2009
Play With Your Own Marbles (Walead Beshty, Karl Haendel & Patrick Hill), NOMA Gallery,
San Francisco, USA
GEOPLAY Part II, Pilar Parra & Romero, Madrid, Spain
Abstract America : New Painting and Sculpture, Saatchi Gallery, London, UK
2008
Pruesspress@Rental, Rental, New York, NY
Base:Object, curated by Cory Nomura, Andrea Rosen Gallery, New York, NY
Whitney Biennial, Whitney Museum of American Art, New York, NY
2007
Uneasy Angel, Imagine Los Angeles, Sprüth Magers Projecte, Munich, Germany
Sculptors’ Drawings: Ideas Studies, Sketches, Proposals & More, Angles Gallery, Santa Monica
Exit Music (for a film), curated by Michelle Lopez, Grimm Rosenfeld, Munich, Germany
2006
LA Trash & Treasure, Milliken Gallery, Stockholm, Sweden
Pure Land, Ratio 3, San Francisco
Cloud Break, Hiromi Yoshii, Tokyo, Japan
Patrick Hill, Eileen Quinlan, Florian Schmidt , Galerie Kosak Hall, Vienna, Austria
Matthew Brannon, Wade Guyton, Patrick Hill, United Artists Ltd., Marfa, TX
Symmetry, curated by Nizan Shaked and Kimberli Meyer , MAK Center at the Schindler House, Los Angeles, CA
2005
Shape Shifters, China Art Objects Galleries, Los Angeles, CA
Split, The Approach, London
Ask the Dust, D’Amelio Terras, New York, NY
Alpha Flight II, John Connelly Presents, New York, NY
L.A., Lucas Schoormans Gallery, New York, NY
2004
Tapestry From An Asteroid, David Kordansky Gallery, Los Angeles, CA
lumpen decadents (the lack of money is the root of all evil), curated by Gean Moreno, Ingalls and Associates, Miami, FL
2003
Inaugural Exhibition, Golinko Kordansky Gallery, Los Angeles, CA
Post It, Floating Ip Gallery, Manchester, UK
Ishtar, Midway Contemporary Art, curated by Bruce Hainley, Minneapolis, MN (catalogue)
The Distance Between My Apartment and The Beach, curated by Nizan Shaked, Occidental College, Los Angeles, CA
2002
Grey Gardens, Michael Kohn Gallery, curated by Bruce Hainley, Los Angeles, CA
2001
Boomerang: Collectors Curate, Exit Art, curated by Kenneth L. Freed, New York, NY
Selections, Bolsky Gallery, Otis College of Art and Design, Los Angeles, CA
Weak Architecture, Midway Contemporary Art, Minneapolis, MN
Mink Jazz, Marc Foxx, curated by Bruce Hainley, Los Angeles, CA
2000
Democracy, Bradbury Building, Los Angeles, CA
Selected Bibliography
2011
Indrisek, Scott, Business at Art Brussels Is a ‘Slow Burn’, as Thoughtful Connoisseurs Turn Out for Edgy Art, Artinfo.com, April 29
Johnson, Ken, Patrick Hill: Clumsy Angels, New York Times, January 27 p. C30
2010
Griffin, Jonathan, Fluid Nature, Mousse, Issue 25, September/October, pp. 54-60
Bartholomew, Ryan, Leopards in the Temple, Artforum, January
Carlin, T.J., Leopards in the Temple, Time Out New York, Feb-March
Johnson, Ken, Tamer Cats at Modern Art’s High Gates, New York Times, January 14
2009
Baker, Kenneth, ‘Marbles’ at Noma. SF Gate, September 29
Curcio, Seth, Play With Your Own Marbles, Daily Serving, September 27
Szupinska, Joanna, Play With Your Own Marbles, ArtSlant, September 14
Bromberg, Emilie, Patrick Hill – Sculpture Associated, META-magazine.com, Issue 2, August
Schad, Ed, Patrick Hill, ArtReview, May, p. 119
Dault, Julia, Patrick Hill, artforum.com, www.artforum.com, March
Donohue, Marlena, Patrick Hill, Artscene, March
Miles, Christopher, Dangerous Geometry, LA Weekly, February 18
Snellman, Natascha, Patrick Hill at David Kordanksy Gallery, Dossier.com, www.dossier.com
February 17
Pagel, David, Review: Patrick Hill at David Kordansky, Los Angeles Times, February 13
Verrecchia ,Vassili, Patrick Hill, L’Officiel Hommes, February 2009, pp. 177 – 180
Fiduccia, Joanna, Patrick Hill, The Approach E2, Artforum, January, p. 221
2008
Taft, Catherine, Base:Object, Artforum.com, www.artforum.com, November
Patrick Hill, NY Arts, Vol 13, No. 11/12, p. 43
Smith, Roberta, Pruesspress@Rental, New York Times, June 27, p. B25
Schambelan, Elizabeth, Whitney Biennial, Artforum, Summer, p. 426 – 428
Stern, Steven, Whitney Biennial 2008, Frieze, Issue 115, May, pp. 164 – 165
2008 Biennial Exhibition. New York: Yale University Press
Cotter, Holland, Art’s Economic Indicator, New York Times, March 7
Whitney’s snapshot of now, ArtWorld, Issue 3, February/March, p. 21
2007
Baker, R.C., “Recommendations from R.C. Baker,” Village Voice, October 2
Miles, Christopher, Gallery Sprawl: City of Los Angeles, Flaunt, Issue 87, pp. 106 – 113
(ill.p.109)
Morton, Tom, Patrick Hil, Frieze, January- February, p.176
2006
Rochette, Anne and Wade Saunders, Place Matters: Los Angeles Sculpture Today, Art in America,
November, p. 174
Campagnola, Sonia, Focus Los Angeles: A Survey of Contemporary Los Angeles Art, Flash Art,
January-February, p.71
Morton, Tom, Looking Back: Emerging Artists, Frieze, January- February, p.122
2005
DeRose, Jen, More at MAK, Interior Design, December
Hainley, Bruce, Patrick Hill (Openings), Artforum, November, p. 242-243
Sholis, Brian, Ask the Dust, Artforum.com, www.artforum.com, September
Smith, Roberta, Ask the Dust, New York Times (Art Listings), September
Ned Holte, Michael, Ask the Dust, D’Amelio Terras (catalogue), September 6
Grabner, Michelle, Patrick Hill, artUS, July-September, p.17
Nusser, Madeleine, Patrick Hill, Time Out Chicago, April 14-21, Issue no. 7, p.48
Cotter, Holland, Dealers Gather at the River, Convenient to Lofts With Bare Walls, The New
York Times, March 11
2004
Hainley, Bruce, Top Ten, Artforum, December, p.164-165
Knight, Cristopher, Will it all come crashing down?, LA Times, November 26, p.E18
Ruiz, Alma, Dossier Los Angeles, Carnet arte, Milan, May
2003
Hainley, Bruce and McDevitt, Siobhan, Camel Riding Nude, Backwards, Ishtar, (Minnesota:
Midway Contemporary Art)
2002
Hoffmann, Jens, Cityscape: Los Angeles, Flash Art, November-December, p.53-56
Heikes, Jay, The Waiting Room is Closed, New ASrt Examiner, Chicago, January- February,
p.49
